1400

2015 [CHINESE]

Drama / Music / Romance

1
IMDb Rating 5.1/10 10 44 44

Director

Derrick Lui Photo
Derrick Lui

Top cast

Grace Lee-Khoo Photo
Grace Lee-Khoo as Lulu
Angeline Yap Photo
Angeline Yap as Moon
Luis Lim Photo
Luis Lim as Uncle Huat
Alan Tan Photo
Alan Tan as Alan
720p.WEB 1080p.WEB
815.15 MB
1280*720
Chinese 2.0
NR
Subtitles us  
25 fps
1 hr 28 min
Seeds ...
1.48 GB
1920*1080
Chinese 2.0
NR
Subtitles us  
25 fps
1 hr 28 min
Seeds 1

Movie Reviews

Reviewed by imdbfan-0063387033 10 / 10

A Rare Film That Feels Startlingly Real

I don't usually write reviews, but I just finished 1400 and feel like I need to process what I saw. This movie hit me in a way I didn't expect. It's not a flashy blockbuster, it's a quiet, character driven piece that gets under your skin and stays there.We're often fed a certain type of male character in movies, the stoic hero, the tough guy, the comic relief. 1400 does something different. It shows men who are vulnerable, grieving, flawed, and desperately trying to connect. And it does it without ever making them seem weak. In fact, their vulnerability is their strength.The story that absolutely wrecked me was Vincent Tee's as James, the man grieving his wife. Seeing a middle aged man portrayed with that much raw, quiet pain was incredibly powerful. It wasn't over the top, it was in the way he held a coffee cup, the silence in his room, the hollow look during a date. It felt more real than almost anything I've seen. It's a portrayal of grief that doesn't demand attention but commands respect.And then there's Rain, played by Desmond Tan. A deaf man trying to build a connection with a blind woman. Their entire relationship is built on patience and touch, traits we don't often see celebrated in male characters. Rain isn't a savior, he's an equal partner in building a unique world for two. His struggle to communicate, to be understood on his own terms, is something I think anyone can relate to, regardless of their circumstances.Even the side characters, like Paul in the adulterous relationship, are written with a surprising depth. You understand the flawed humanity behind his bad decisions, which is a lot more interesting than simple villainy.The fact that this was all filmed in just five days is mind blowing. The performances feel so natural and lived in, not rushed at all. Director Derrick Lui has created a poignant mosaic of modern life and masculinity. It's a film about the weight of silence, the search for a safe harbor, and the small, brave acts that define us.If you're tired of the same old formulas and want to see a movie with genuine heart and astonishingly real male characters, you owe it to yourself to watch 1400. It's a hidden gem that I'll be thinking about for a long time.
Reviewed by kamarie-85 10 / 10

A Tapestry of Longing: Why '1400' is a Poignant and Unforgettable Look at Love

Let me be honest, I watched 1400 not knowing what to expect. A Singaporean drama set in a red-light district, with four interwoven stories? It sounded intriguing, but I braced for something gritty, perhaps even cynical. What I found, however, was one of the most tender, humane, and beautifully observed films I've seen in years. This isn't a film about the transaction of bodies; it's about the transaction of souls.Director Derrick Lui, in his stunning debut, crafted a movie that feels like a secret whispered in the dark. The hotel "1400" itself becomes a character, a silent witness to the fragile hopes and quiet despairs of its temporary inhabitants. What struck me most was the film's profound empathy for its characters, particularly its women. These aren't caricatures or plot devices; they are fully realised people, and their stories resonated deeply.The heart of the film, for me, was the breathtakingly pure connection between Rain (Desmond Tan) and Summer (Ya Hui). He is deaf, she is blind. Their world is built on touch, on patience, on the sheer will to be understood. It's a powerful metaphor for what we all crave: to be truly seen and heard by another person, beyond our physical or emotional barriers. Ya Hui's performance is a masterclass in subtlety, conveying a universe of feeling with the tilt of her head or the touch of her hand.But the film's brilliance lies in its balance. Just as we are swept into this innocent romance, we are plunged into the complex, morally grey world of Janice (Maria Alexandria) and her adulterous affair with Paul. The film doesn't judge her; instead, it immerses us in her conflict, her longing for intimacy, and the crushing weight of her guilt. Similarly, Moon's (Angeline Yap) story as a foreign woman navigating survival and connection is portrayed with such gritty realism and heart that you can't help but root for her. Her struggle isn't just for love, but for dignity, and Yap delivers a performance that is both fierce and vulnerable.And then there is the haunting narrative of James (Vincent Tee), a man drowning in grief. His story is a quiet gut-punch, a reminder that love's greatest shadow is loss. Watching him navigate dates while being haunted by the ghost of his wife is achingly relatable. It speaks to the universal fear of being alone and the difficult journey of finding a way to love again, or at least, to live again.The cinematography by Chua Lian Seng is intimate and atmospheric, making the city of Singapore feel both vibrant and lonely. The score by Bang Wenfu weaves through the narratives, never intrusive, but always enhancing the emotional landscape.1400 is more than just a movie, it's an experience. It's a film that understands that love isn't a single note, but a complex chord made of joy, pain, betrayal, hope, and healing. It left me thoughtful, a little tearful, and immensely grateful for the messy, beautiful connections in my own life. This is a hidden gem that deserves to be sought out and cherished. An absolute triumph.
Reviewed by Aldrin-34 9 / 10

A Poignant and Timely Gem That Was Worth the Wait

It's not often that a film's backstory is as compelling as its narrative, but Derrick Lui's "1400" is a rare exception. After a decade spent in limbo, this Singaporean drama has finally seen the light of day, and its release could not be more timely. This is a quiet, character driven film that packs a significant emotional punch, offering a mature and nuanced look at themes of displacement, family, and the search for belonging.
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