Days of Being Wild

1990 [CANTONESE]

Action / Crime / Drama / Romance

43
Rotten Tomatoes Critics - Rotten 88% · 33 reviews
Rotten Tomatoes Audience - Upright 88% · 5K ratings
IMDb Rating 7.4/10 10 28063 28.1K

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Plot summary

Yuddy, a Hong Kong playboy known for breaking girls' hearts, tries to find solace and truth after discovering the woman who raised him isn't his mother.

Director

Kar-Wai Wong Photo
Kar-Wai Wong

Top cast

Tony Chiu Wai Leung Photo
Tony Chiu Wai Leung as Chow Mo-wan
Andy Lau Photo
Andy Lau as Tide
Maggie Cheung Photo
Maggie Cheung as Su Li-zhen
Leslie Cheung Photo
Leslie Cheung as Yuddy
720p.BluRay 1080p.BluRay
871.43 MB
1280*714
Cantonese 2.0
NR
Subtitles us  
24 fps
1 hr 34 min
Seeds 12
1.58 GB
1920*1038
Cantonese 2.0
NR
Subtitles us  
23.976 fps
1 hr 35 min
Seeds 44

Movie Reviews

Reviewed by gbill-74877 6 / 10

Stylistic, but lacking warmth

There is an unpolished, raw, kind of grimy feeling to this film, one which maybe fits the sad, lonely little lives of these characters, few of whom are likeable. A young playboy (Leslie Cheung) who "hates work" treats a couple of women like disposable objects, and yet they can't seem to stop loving him. It's a type of story I'm not all that fond of, even if we gradually understand one of the things that seriously damaged him, and maybe made him into the self-centered asshole we see before us. His mother gave him up for adoption, and his stepmother only took him so she could get a regular paycheck. It was quite hard to empathize with him though, and I disliked the misogynistic overtones of the film. Even his nerdy friend gets in on it, slapping his second girlfriend (Carina Lau) around in the rain after she's been abandoned. My favorite moment was when a kind police officer tries to talk some sense into the first girlfriend (Maggie Cheung), and after they part, he narrates:"I never really thought she'd call. But every time I passed by the phone booth, I'd stand there for a while. Maybe she's all right and she made it back to Macao. Or maybe she just needed someone to help her through that one night. Soon after that, my mother passed away, and I became a sailor."The film desperately needed more humanizing touches like that, or some level of self-reflection or philosophy deeper than its bird metaphor. The painting of emptiness and loneliness that Wong Kar-wai gives us is undercut without it, though I did like some of the artistry in his camera work. Oh, and if you're as puzzled as I was about the character seen at the very end, it's a somewhat random/minor character who was meant to be the main character of the second part of the story, a film which was never made. Somehow the meaninglessness of that fits, though I'm not sure it's in a good way.
Reviewed by unge_werther 7 / 10

Typical Wong Kar-Wai, but certainly not his best film

Many people here seem to be of the opinion that this film is not very typical of Wong's work. I would like to disagree. To me, this film is a very typical Wong film. That is, if you are expecting the absolutely perfect colours, pictures and frames of 'In the Mood for Love', you will be disappointed. This film, like many of his other films, has a more rough quality to it.All you who have seen 'In the Mood' and liked it should really see this film, as I don't think you can understand 'In the Mood' without having seen this one. I was not particularly overwhelmed by 'In the Mood', but now that I have seen this film, I at least understand the later film better. So maybe also those who did not like 'In the Mood' should see this one, as it might change their perception of that film.To me Wong Kar-Wai's best film is still Chungking Express. And this film, although kind of in line with that film, does not reach up to that standard. I am glad I saw this film, as it explains other parts of Wong's work to me, but were it not for the sake of understanding that bigger picture, I don't think I would recommend it.
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