Exporting Raymond

2010

Comedy / Documentary

1
Rotten Tomatoes Critics - Rotten 67% · 25 reviews
Rotten Tomatoes Audience - Upright 67% · 1K ratings
IMDb Rating 6.9/10 10 2023 2K

television history film history cinema history

Plot summary

A documentary on Phil Rosenthal's experiences during the making of "Voroniny," the Russian-language version of "Everybody Loves Raymond".

Director

Philip Rosenthal Photo
Philip Rosenthal

Top cast

Oleg Tabakov Photo
Oleg Tabakov as Self
Doris Roberts Photo
Doris Roberts as Self
Peter Boyle Photo
Peter Boyle as Self
Ray Romano Photo
Ray Romano as Self
720p.BluRay 1080p.BluRay
783.52 MB
1280*714
English 2.0
NR
Subtitles us  
23.976 fps
1 hr 25 min
Seeds 1
1.57 GB
1920*1072
English 5.1
NR
Subtitles us  
23.976 fps
1 hr 25 min
Seeds ...

Movie Reviews

Reviewed by planktonrules 7 / 10

Hilarious? Not really....but it is interesting.

Philip Rosenthal wrote and produced the TV show "Everybody Loves Raymond". Now that the show has run its course in the States, Rosenthal is trying to sell the idea of the series to the Russians. The problem is that the cultures are very, very different. What's funny in America isn't always funny in Russia and vice-versa. As "Raymond" wasn't as broadly written as some more successful comedies in Russia (such as "The Nanny"). And, in addition, so often Rosenthal has no idea what's going on when he visits the country--so much gets lost in translation.I noticed that another reviewer found this documentary hilarious. Well, I didn't--and this isn't a complaint, really. It is occasionally droll. But what I think is that the film is insightful and gives the viewer a look at cross-cultural differences--and that's what I appreciated about the film. Not a must-see, but very enjoyable. And, in some ways it reminds me of the Albert Brooks film "Looking For Comedy In The Muslim World" combined with an episode of Anthony Bourdain or Andrew Zimern's shows on travel and gastronomy. Rosenthal just visits with various Russians and films whatever happens--for good or bad. Interesting.
Reviewed by bdgill12 7 / 10

Nothing Special But a Worthwhile Documentary with an Interesting Subject

In 2005, Everybody Loves Raymond wrapped up its ninth and final season, taking its leave after 2010 episodes which led it to become one of the more beloved shows of the era. It was a show that highlighted the ups and downs of every day, married life, a topic which obviously the general public related to. Seven years later, you can probably turn your television on right now and find a syndicated episode of Raymond somewhere. Shortly after the finale, show creator Phil Rosenthal was approached by a SONY representative and asked to help the Russian television network create a native version of Raymond. Rosenthal brought along a film crew to document the events, revealing that comedy isn't quite as universal as we might expect.I'm not sure exactly what Rosenthal expected from his trip abroad but it becomes quite clear early on that he wasn't prepared for this undertaking. He is thrown for a loop when he discovers that he has to invest in Kidnapping and Rescue Insurance, an issue he is assured never comes up; he astutely points out that if it "never" came up, there would be no need for the insurance. Upon arriving, he meets up with his private security guard/driver and their exchange soars right past the "awkward" stage and borders on becoming "tense." He is undoubtedly a stranger in a strange land and it only gets worse from there.Later, Rosenthal is brought to the studio (which literally looks like every depressing, dilapidated building you've ever seen in a Hollywood version of Russia) and introduced to the crack team of writers and crew he will be working with. They show him clips from American shows that have previously been remade and he is given a glimpse into what Russians find funny. In my opinion, this was the best part of the entire documentary. Rosenthal is shown a clip from the Russian version of The Nanny, one of the most successful programs ever, which was truly atrocious. If, like me, you believe there is no lower form of "comedy" than Fran Dresher and The Nanny, then allow me to burst your bubble: judging from the 30 seconds shown in Exporting Raymond, I would say the Russian version is approximately 37 times worse. That exact sentiment is written in bold across Rosenthal's face as he looks around the room at his laughing coworkers and realizes he's bitten off far more than he could possibly chew. It is moment that is both hilarious and a little bit heartbreaking.As Exporting Raymond progresses, we see more and more conflicts unfold for Rosenthal. The casting process alone turns out to be a major hassle as the actor Rosenthal wants to play the Raymond character is unable to get leave from his theater company and he is replaced with an actor who appears to be the Russian equivalent of Paul Walker in terms of acting ability. To top it all off, Rosenthal doesn't get along with the director of the pilot episode, who seems to regard him as a nuisance and refuses to listen to his advice, which is, of course, the only reason he was brought in.The greatest strength of Exporting Raymond is its ability to point out the dramatic differences between the Russian culture and our own with a simple, understated style. This is a, "Let the camera roll and see what happens" sort of documentary and there's very little in the way or post- production or narration; rather, for the most part, the audience sees what Rosenthal sees and his reactions which are generally priceless. There are times when the film loses focus and becomes somewhat dull and even at its best, there's nothing excessively funny or definitively special about Exporting Raymond. But it still serves as a quirky, fun, and moderately insightful piece of work that is worth a viewing if for no other reason than to experience Rosenthal's dumbfounded facial expressions for yourself.Please see my reviews at thesoapboxoffice.com
Read more IMDb reviews

No comments yet

Be the first to leave a comment