Flossie

1974 [SWEDISH]

Action / Drama / Romance

9
IMDb Rating 5.2/10 10 522 522

sex show gothic mansion

Plot summary

The young girl Flossie comes straight from a Swiss boarding school to Stockholm where she meets a young embassy clerk, Jack Archer. Together with her friend Eva each tell the other two of previous sexual encounters as well as creating new memories.

Director

Mac Ahlberg Photo
Mac Ahlberg

Top cast

Gösta Bergqvist Photo
Gösta Bergqvist as Catholic Confessor
Rune Hallberg Photo
Rune Hallberg as Robert
Irene Lindholm Photo
Irene Lindholm as Eva's Girlfriend
Karl Göransson Photo
Karl Göransson as Farmhand
720p.BluRay 1080p.BluRay
846.23 MB
1200*720
Swedish 2.0
NR
Subtitles sv  
24 fps
1 hr 32 min
Seeds 2
1.53 GB
1800*1080
Swedish 2.0
NR
Subtitles sv  
24 fps
1 hr 32 min
Seeds 3

Movie Reviews

Reviewed by lor_

Sexy Scandi porn update

Mindy Wilson as FLOSSIE: A VENUS OF FIFTEEN is the ultimate Victorian porn heroine in my book. The beautiful Maria Lynn/Marie Forsa is similarly well-cast as Mac Ahlberg's FLOSSIE, a film that only flirts with hardcore -perhaps its main defect.Maria is perhaps the ultimate embodiment of borderline hardcore action: her films for Joe Sarno are still revered as perhaps the ultimate of representing explicit sex on screen tastefully -without showing penetration. That is the format here -we see massive hard-ons (from hero Jack Frank) and simulated fellatio, but it's strictly softcore.Story has been updated from 19th Century to contemporary milieu, and follows exactly the same storyline as the VENUS OF FIFTEEN hardcore version. Capt. Jack Archer (Jack Frank) is immediately smitten with Flossie when he meets her and her patroness Eva (Kim Frank), and spends the rest of the film dry humping Lynn, until as a threesome he gets to deflower the young virgin under Eva's scrutiny.Ahlberg includes many flashbacks, as per the Victorian source novel, showing Flossie's sexual initiation into lesbianism as a school girl. Anita Ericsson is her mate in these segments -and went hardcore quite effectively opposite Lynn in the later film "Molly" as well as a favorite of mine "Girl on Her Knees" (both of these made by FLOSSIE producer Inge Ivarson).Lynn is so appealing, and the direction expert, that FLOSSIE is continually arousing. Even the requisite orgy scenes are well-done, within the confines of softcore.It is interesting that all three leading ladies worked with Sarno on various of his Scandi shoots. So this authentically Swedish opus is recommended to the growing Joe Sarno cult for comparative purposes.
Reviewed by MajesticMane 5 / 10

Erotic Drama with Style Over Substance

"Flossie," directed by Mac Ahlberg in 1974, is an erotic drama that attempts to blend sensuality with a compelling narrative, but ultimately falls short of delivering a fully engaging film. The story follows the titular character, Flossie, played by Marie Forså, as she navigates a world of sexual exploration and liberation. While the film is visually appealing and daring in its portrayal of erotic themes, it struggles to balance these elements with a coherent and engaging storyline.One of the film's notable strengths is its cinematography. Ahlberg, who is also an accomplished cinematographer, brings a stylish and polished look to the film. The use of soft lighting and aesthetically pleasing compositions creates a dreamlike quality that enhances the erotic atmosphere. The film's visual appeal is further complemented by its scenic locations and tasteful set designs, which add a layer of sophistication to the otherwise explicit content. The music, with its sensual tones, also plays a significant role in setting the mood and enhancing the film's eroticism.Despite its visual allure, "Flossie" falters in its storytelling and character development. The plot is thin and often feels like a series of loosely connected vignettes rather than a cohesive narrative. This fragmented approach makes it difficult for viewers to become fully invested in the characters or their journeys. Flossie, as the central character, lacks depth and complexity, making her more of a symbol of sexual freedom than a fully realized individual. The supporting characters are similarly underdeveloped, serving primarily as backdrops to the film's erotic scenes rather than contributing to the story in a meaningful way.Additionally, the film's pacing is uneven, with moments of intrigue and sensuality interspersed with lengthy, drawn-out scenes that add little to the overall narrative. While the erotic content is undoubtedly the focal point, it often comes at the expense of plot development and character engagement. This imbalance results in a film that is visually stimulating but emotionally flat, failing to leave a lasting impression beyond its explicit scenes.In conclusion, "Flossie" offers a visually captivating exploration of erotic themes, showcasing Ahlberg's skill as a cinematographer. However, its lack of narrative coherence and shallow character development prevent it from being a truly engaging film. While it may appeal to those interested in the genre, it ultimately feels more like a stylistic exercise than a fully fleshed-out story.
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