Lady on a Train

1945

Comedy / Crime / Film-Noir / Mystery / Romance / Thriller

4
Rotten Tomatoes Critics - Rotten 70% · 14 reviews
Rotten Tomatoes Audience - Upright 70% · 100 ratings
IMDb Rating 6.7/10 10 2838 2.8K

film noir murder inheritance train witness to murder heiress

Plot summary

While watching from her train window, Nikki Collins witnesses a murder in a nearby building. When she alerts the police, they think she has read one too many mystery novels. She then enlists a popular mystery writer to help her solve the crime on her own, but her sleuthing attracts the attentions of suitors and killers.

Director

Charles David Photo
Charles David

Top cast

Ethelreda Leopold Photo
Ethelreda Leopold as Circus Club Customer
Dan Duryea Photo
Dan Duryea as Arnold Waring
Addison Richards Photo
Addison Richards as Police Captain
George Chandler Photo
George Chandler as Circus Club Customer
720p.BluRay 1080p.BluRay
867.51 MB
1280*960
English 2.0
NR
Subtitles us  
24 fps
1 hr 34 min
Seeds 1
1.57 GB
1440*1080
English 2.0
NR
Subtitles us  
24 fps
1 hr 34 min
Seeds 3

Movie Reviews

Reviewed by AlsExGal 7 / 10

An all-grown-up Deanna Durbin in a fun murder mystery...

...that turns briefly into a noir thriller near the end, and takes place almost entirely on Christmas Eve. Of course the plot is manipulated to make time for a couple of songs, including Cole Porter's "Night and Day," when she has to pretend she's a night club singer during her investigation.The film begins while her train is pulling into New York, and during a brief pause before continuing to Grand Central Station it pauses long enough for her to see a murder being committed in a warehouse window across the tracks. Naturally since she's been reading a murder mystery, so nobody believes she saw a real murder, so she tries to enlist the author of her book to help her solve the crime. Somehow she stumbles into the reading of the will for the dead man and is mistaken for his nightclub mistress, who is the sole heir. It's too bad Durbin did not continue her career, as she does a great job playing an adult role with a winning blend of comedy, drama, romance and still a bit of music.
Reviewed by Terrell-4 7 / 10

Deanna Durbin, grown up and starring in a sort of a noir, with comedy and murder. Not bad at all

A film noir starring Deanna Durbin may seem as natural as eating an oyster with a splash of chocolate syrup, but if you're adventurous, well, somebody has to be the first to try it. Actually, the movie's a pleasant romp. Lady on a Train is a comedy mystery with some nice noir characteristics...shadows, trains, bodies and a climax in a darkened office building that would make Dick Powell feel right at home. Nikki Collins (Durbin) is a society deb from San Francisco coming in on the train for a visit to New York. As the train pulls into Grand Central, she casually looks out the window of her compartment and sees an elderly gentleman in an office across the way having his head bashed in by a crowbar-wielding murderer. She can see the victim's face, but not the assailant's. There are two things we need to know about Nikki. First, she's an energetic, confident young woman who is as determined as they come. Second, she loves mysteries. In fact, she was reading Wayne Morgan's "The Case of the Headless Bride" when she looked out the window. She goes to the police but they don't take her seriously. Plus, it's a few days before Christmas and no one is looking for more work than they already have. What's an heiress to do? Nikki looks up Morgan's address and pesters and prods him into using his skills as a detective to help find the killer. Nikki isn't fazed when Morgan (David Bruce) tries to tell her he's an author, he's shy, he's faint-hearted and he's no detective. She's determined to enlist his help, but in the meantime she's learned who the victim is, a very rich man. And she learns not only where he lived, but that his family is saying the man died accidentally in a fall. So off she goes to the family mansion in the dead of night with snow starting to sift down...and just happens to be mistaken for Margo Martin, a singer at The Circus nightclub who was the "fiance" of the dead man. Wouldn't you know it, the old man's will leaves nothing to his two nephews, the eccentric and courtly Jonathan Waring (Ralph Bellamy) and the charming and untrustworthy Arnold Waring (Dan Duryea), but everything to Margo. Nikki has to deal with Danny, the Waring's thug of a chauffeur, and Mr. Saunders, the cold- eyed proprietor of The Circus who always carries a large white cat cradled in one arm. She finds she has to keep impersonating Margo, even if it means she has to sing "Night and Day" and "Give Me a Little Kiss, Will You, Huh?" as part of Margo's act. Tailing after her, like a small tug in the wake of a cruiser, is Morgan. I think they're starting to be attracted to each other. Up to now the movie has been amusing, light-weight and very much a vehicle for Deanna Durbin. She's no longer the little girl with a wonderful voice, as she was in the Thirties and Early Forties. She's a grown-up, and the studio is showing her off as a romantic lead who has a sense of humor. She's impeccably photographed, stylishly dressed and confident as all get out. It all pays off in the last 15 minutes when Nikki finds herself in the same office building where the killing took place. She's got both nephews looking for her, and one of them knows where the crowbar is hidden and intends to use it. There's the garage with the creaking car lift, the great storage floor where mounds of grain are piled, there are all the empty offices and hallways...and everything is dark and shadowed. Nikki keeps her cool, although she's quite happy when Morgan finally shows up to help save her. "Oh, darling," she tells him afterwards, as he faints, "you were wonderful." Could the movie end without a marriage? And we know Deanna Durbin has grown up when, just before we see "The End," there's a charming moment of sexual innuendo on the train taking Nikki and Morgan, newly married, to San Francisco. Deanna Durbin never seemed to take herself too seriously; she was always ready for a pratfall in the mud or a joke at her expense. She may not have had Judy Garland's overwhelming charisma, but she came close for a lot of people. More importantly, she didn't have Garland's edgy sense of an impending neurotic breakdown. Durbin was the girl next door with a sunny disposition, a great sense of humor and with a bit of the tomboy about her. In 1948, when she was 27, she announced her retirement. She and her husband, who directed this film, moved to France, where she still lives. She has never shown any interest in her movie-making past. She has never made another movie, has refused all requests for interviews and photographs, and has devoted herself to living a sane life. Good for her. The studio surrounded her in this film with some excellent character actors. In addition to Duryea and Bellamy, there's George Coulouris, Allen Jenkins, Edward Everett Horton, Samuel S. Hinds and William Frawley. And in a small role is Patricia Morrison, who three years later would be wowing the crowds singing "I Hate Men!" in Kiss Me Kate.
Read more IMDb reviews

1 Comments

Be the first to leave a comment