Onoda: 10,000 Nights in the Jungle

2021 [FRENCH]

Action / Adventure / Drama / History / War

27
Rotten Tomatoes Critics - Certified Fresh 97% · 35 reviews
Rotten Tomatoes Audience - Upright 74%
IMDb Rating 7.2/10 10 3384 3.4K

Director

Top cast

Mutsuo Yoshioka as Captain Hayakawa
Yûya Endô as Hiroo Onoda
Yûya Matsuura as Kinshichi Kozuka
Shinsuke Kato as Shoichi Shimada
720p.BLU 1080p.BLU 720p.WEB 1080p.WEB
1.5 GB
1280*682
Japanese 2.0
NR
Subtitles fr  us  
25 fps
2 hr 46 min
Seeds 3
3.08 GB
1920*1024
Japanese 5.1
NR
Subtitles fr  us  
25 fps
2 hr 46 min
Seeds 6
1.5 GB
1280*688
French 2.0
NR
Subtitles fr  us  
25 fps
2 hr 46 min
Seeds 3
3.08 GB
1904*1024
French 5.1
NR
Subtitles fr  us  
25 fps
2 hr 46 min
Seeds 9

Movie Reviews

Reviewed by brockfal 8 / 10

Powerful and thoughtful

The case of Onoda, a WW2 Japanese soldier who carried on fighting for thirty years on the Philippine island of Lubang before being persuaded to give up, was a celebrated case in the mid 1970s, and I was really impressed by this dramatic reconstruction of his life. It's a high quality movie, beautifully filmed, thoughtful, and well played all round, though I also thought it a bit too long at more than 2.5 hours. There are great performances all round and solid direction which almost has a David Lean approach at times (no bad thing), so it's a 'small scale epic' with a heart, and well worth a view. There are some supremely effective moments, and the film deserves a wider audience, though you do have spare quite a bit of time.
Reviewed by weirdquark 8 / 10

The last soldier of World War II

In the closing phase of the Second World War, Imperial Japan inserts numerous specially trained soldiers throughout the Pacific islands whose secret mission is to survive at all costs and wage an unending campaign of guerrilla warfare. This film depicts the three-decade campaign of postwar "resistance" waged on Lubang Island, Philippines by Hiroo Onoda, the very last of the infamous Japanese "holdouts" who refused to accept the war had ended, against all reason and repeated attempts to make contact.

As a film, it's great - it's dramatic and engaging, with great writing, direction, and acting. But the deeper social reality is quite disturbing. Onoda and others like him are revered by many in Japan as exemplars of grit, determination, and steadfast dedication to duty, rather than as exemplars of the kind of rigid fanaticism and pathological obedience that made a continent's worth of war crimes possible.

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