Pardon Us

1931

Action / Comedy / Crime / Drama / Musical

18
Rotten Tomatoes Critics - Rotten 67% · 2 reviews
Rotten Tomatoes Audience - Upright 67% · 250 ratings
IMDb Rating 6.8/10 10 3055 3.1K

bloodhound smuggling (contraband) prohibition era plantation riot prison escape

Plot summary

It's Prohibition, and the boys wind up behind bars after Stan sells some of their home-brew beer to a policeman.

Director

James Parrott Photo
James Parrott

Top cast

Baldwin Cooke Photo
Baldwin Cooke as Insurgent Convict
Frank Austin Photo
Frank Austin as Prisoner with Sore Tooth
Gordon Douglas Photo
Gordon Douglas as Typist
Jack Hill Photo
Jack Hill as Insurgent Convict
720p.BluRay 1080p.BluRay
561.98 MB
956*720
English 2.0
NR
Subtitles us  
25 fps
12 hr 56 min
Seeds ...
1.08 GB
1424*1072
English 2.0
NR
Subtitles us  
25 fps
12 hr 56 min
Seeds 2

Movie Reviews

Reviewed by Prismark10 6 / 10

Jailbirds

Laurel and Hardy's first feature film is a rather uneven affair with a disjointed story that sees Laurel and Hardy are sent to prison for selling home brew to a policeman during prohibition.In hail they end up on the wrong side of their cellmate, The Tiger who is mean bad one. Stan's loose tooth which makes a raspberry noise constantly lands the duo in trouble.They end up in solitary, then escape to a cotton plantation and once recaptured they inadvertently break up a prison riot.The film is rather overlong and padded, like a couple of shorts cobbled together with some songs.
Reviewed by The_Movie_Cat 6 / 10

"They'll never recognise us in a hundred years!"

So says Ollie at the start of a sustained eleven-minute sequence where he and Stan paint their hands and faces to hide amongst a black community. On two occasions the paint gets washed off and has to be replaced; Stan with dirt from a puddle, Ollie with oil. Like the stereotypical black people that occupy the piece, it's one of those "would never be allowed nowadays" moments that marks Pardon Us out as an unusual curio. The boundaries between innocence and unintentional risk-taking occur throughout. Set largely in a prison, there's a later scene where Stan is threatened by a knife, and an inmate is shown to be a potential rapist when coming face to face with the warden's daughter. Although Stan's sharing a bed with Hardy and the same inmate promising that he and Stan will be "great pals" is played without any form of sexual connotation.This sort of politically incorrect humour is not only common to Pardon Us, however. In the following year's Pack Up Your Troubles the duo would pretend to have only one arm in order to escape being drafted into the army. Stan would pour boiling hot water over three men, while the two would steal $2000 from a bank. The 1932 film would also tackle the theme of wife battery and feature another race joke, which takes us back to Pardon us. In a curious scene, Stan mistakes two prisoners – one black, one Asian – as the radio "blackface" double-act, Amos and Andy. It's impossible to condemn the film on such matters, and I wouldn't even try, as that sort of thing was commonplace for the time it was made. But it's notable, and slightly alarming, even so. Whoever would have thought such naive humour still had the ability to shock seventy years on?Laurel and Hardy perhaps never had wide ambitions, though did some pretty groundbreaking stuff in terms of stunts and special effects. More intelligent than The Three Stooges, they nevertheless didn't aspire to the same terms of art and film as, say, Chaplin. But while they may not be as admired as Charlie, Keaton or even Lloyd, they are doubtless more loved. Even though most of the jokes are clearly set-up, their assured execution, by Laurel, particularly, means they never fall flat. It must be said that the interplay between the two stars isn't as good as it would be, and that as their first full-length talkie, the pace is notably slower than what was to follow. The age of the silent movie is still felt throughout, with a lone damsel in distress in a burning building, and some overstated body language from the bit players. The film opens with a caption, and incidental music is almost omnipresent – both now redundant, and slightly distracting. Though while the rapport between the two would be stronger - only their 24th talkie, they would appear in another 52 together after this - Pardon Us is still a fine example of their work. Stan's gormless, inane smile, dopey eyes and sticky ears are a delight, while his mastery of physical comedy is exceptional. Those who wish to build an argument that Stan was the talented one will be served here by a Hardy who gets to be second fiddle all the way, and is encouraged to double-take to camera a few too many times.Lastly, two points come to mind. One is a dentist calling Stan "Rosebud" – was Orson Welles inspired? And Ollie here says "another nice mess", not the oft-quoted "fine".
Read more IMDb reviews

1 Comments

Be the first to leave a comment