Seven Blood-Stained Orchids

1972 [ITALIAN]

Action / Crime / Horror / Mystery / Thriller

14
IMDb Rating 6.3/10 10 3102 3.1K

police murder slasher evil priest giallo

Plot summary

A maniac on the loose is committing savage acts of slaughter, and one survivor may be the only key to unmasking the serial slayer known as the Half-Moon Killer. The mysterious half-moon lockets he leaves with his victims could be the only key to unraveling his sinister motives, but will that be enough before he completes his ice-cold plot to claim his intended seven victims?

Director

Umberto Lenzi Photo
Umberto Lenzi

Top cast

Nello Pazzafini Photo
Nello Pazzafini as Giovanni Rau
Linda Sini Photo
Linda Sini as Wanda
Enzo Andronico Photo
Enzo Andronico as Hotel Manager
Carla Mancini Photo
Carla Mancini as Anna's maid
720p.BluRay 1080p.BluRay
776.16 MB
1280*544
Italian 2.0
NR
Subtitles it  
23.976 fps
1 hr 32 min
Seeds 1
1.47 GB
1920*816
Italian 2.0
NR
Subtitles it  
23.976 fps
1 hr 32 min
Seeds 7

Movie Reviews

Reviewed by jhausler3 7 / 10

Solid giallo, but not a revolutionary one

In this film, women keep getting murdered after receiving a phone call to ascertain their whereabouts, and each time, a crescent moon medallion is left in their hands. At first there seems to be no connection, until it's realized that all of the women happened to stay at the same hotel one night several years earlier. One victim escapes, fakes her own death, and sets off to find the killer... but will he find her first?The main strength of "Seven Blood-Stained Orchids" was its tightly-woven "whodunnit" mystery plot, which contained tons of red herrings but felt much more coherent than many other movies in this genre. It played out in such a way that there was no real way the viewer could beat the camera to the big reveal in terms of deduction, but it still felt engaging throughout. I also thought the main characters were all quite likeable, and I especially appreciated the surprisingly good survival instincts of the main hero and heroine -- not a trait this type of character often has. The kills were suitably thrilling, the acting was good, and the music was solid without being a standout. The opening title track, "Ozarks", might be an exception to that statement, as its groovy base line strikes a great balance between sinister menace and smooth funk.The only real negative I have to say about it is that the movie felt a bit lacking in artistry on the visual front. Most of my prior experience with gialli is that they're visually incredible, but the plot is a bit of a mess. This movie takes the polar opposite route, with almost no memorable or striking visual moments but a plot that feels tightly-scripted. Also, because so much of the film relies on the "whodunnit" element, I can't imagine that this movie would be particularly engaging as a rewatch in the same way that something like "Blood Red" or "All The Colors of the Dark" are.All told, maybe not one to buy sight-unseen, but if you can rent or stream it somewhere, it's absolutely worth a watch at least once.
Reviewed by Bezenby 6 / 10

Heads, shoulders, Sabatos, Sabatos

Umberto Lenzi delivers a giallo that has all the trademark elements fully in place, but somehow fails to achieve the right level of madness to produce a true classic. I'm not quite sure why, though. Let's blame Antonio Sabato!No – let's get to the story instead. Someone wearing the standard issue giallo killer uniform (black gloves, floppy hat, raincoat) is murdering women in and around Rome, at rather a rapid rate, too! This guy knows how to create a giallo atmosphere – not only does he shake things up on the variety side, he also leaves a weird silver crescent next to the bodies.His third victim (I think) is the bride of Antonio Sabato, and she gets cut up on a train while her husband out buying McEwan's Export from the train bar. He attends her funeral while the cops take everybody's pictures covertly, but it's all a ruse! She's still alive though I'm sure her relatives are going to be chuffed when they find that out.Antonio then gets on the job of finding out who the killer is, with the aid of the police to a certain extent. He discovers that all the woman being offed all stayed at a certain hotel at a certain time, but why are they being killed? And who is this American people keep referring to? And did Bruno Corazarri just say he gave the American a chewie?So we've got the stupid clues, the Euro-babes, the set piece kills, what have you, but I couldn't help but feel that Antonio Sabato wasn't pushing himself as the hero (and I felt the same way about him in The Man with Icy Eyes), so his lack of animation made the film at bit dull. Or maybe that was due to the film following the giallo formula a bit too strictly (although the 'death by drill' was an eye opener). It could because I've watched about a hundred of these films in about six months. YOU DECIDE!
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