Sincerely Charlotte

1985 [FRENCH]

Action / Drama / Romance / Thriller

2
IMDb Rating 5.2/10 10 243 243

Director

Caroline Huppert Photo
Caroline Huppert

Top cast

Michel Fortin Photo
Michel Fortin as Un inspecteur
Isabelle Huppert Photo
Isabelle Huppert as Charlotte
François Berléand Photo
François Berléand as Le préposé PTT soupçonneux
Niels Arestrup Photo
Niels Arestrup as Mathieu
720p.WEB 1080p.WEB
847.61 MB
1280*766
French 2.0
NR
Subtitles fr  us  dk  gr  es  fi  hr  hu  it  no  nl  pt  ru  sv  
24 fps
1 hr 32 min
Seeds ...
1.54 GB
1792*1072
French 2.0
NR
Subtitles fr  us  dk  gr  es  fi  hr  hu  it  no  nl  pt  ru  sv  
24 fps
1 hr 32 min
Seeds 1

Movie Reviews

Reviewed by petershelleyau

aka Sincerely Charlotte

Caroline Huppert cowrote and directed this vehicle for her sister, Isabelle, the tale of one of those infuriating amoral child-women who are always in trouble and men are always suckers for. Isabelle begins as a disco-nightclub singer styled as a cross between early Madonna and Peter Pan, where she sings Souvenirs Chiffonnes, with lyrics by Caroline and music by Phillippe Sardre. This awful pop ditty is slowed down to provide the melancholy romantic theme of the film. The clue that director Huppert doesn't intend the narrative to be taken too seriously is in actress Huppert's apparent fortune in escaping police capture for the mysterious death of her lover, and her natural screen empathy which makes her an unlikely femme fatale, despite the Rashomon-style interpretations of the killing. Director Huppert may be attempting a chase similar to Bonnie and Clyde, with former boyf Niels Arestrup as her Clyde, but at one point Isabelle Huppert cracks "You better be careful. You're travelling with public enemy number 1". The screenplay by director Huppert, Luc Beraud and Joelle Goron provides a triangle as Arestrup is engaged to Christine Pascal and has a son, but what is more interesting than the standard return of the old girlf to create obstacles, is the way Pascal is presented. Maybe because she is French, this woman's reaction to a possible threat is rational and pleasingly non-hysterical though still staking a claim for her man, the dynamic perfectly realised when Pascal meets with Huppert. I like the way director Huppert uses broken glass in slow motion for a car crash, a cut from actress Huppert in frantic closeup to a radiant child in closeup, and the 180 degree pan of police cars from Huppert and Arestrup's point of view back to the where they no longer are.
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