The High and the Mighty (1954) YIFY - Download Movie TORRENT

I went to the DVD premiere screening of THE HIGH AND THE MIGHTY tonight (12 June 2005) at Paramount studios. It was a big red-carpet event, and I saw a number of people associated with the film there, though there are a scant handful of the cast still surviving. Pedro Gonzalez-Gonzalez, William Campbell, and Robert Easton were there, and from bits of applause during the screening, I suspect that a few others were there as well. Of course, all of the major character players are gone: Wayne, Stack, Trevor, Day, Sterling, Harris, Newton, Brian, Kelly, Blackmer, and Qualen. Other than Karen Sharpe and William Schallert, I'm not certain whether anyone yet unmentioned is still alive. Doe Avedon probably is (she was really lovely as the flight attendant).As some have speculated, there's no way for this film to live up to the hype that has grown up because of its near-forty year unavailability. It's been beautifully restored. The picture quality seems to my uneducated eye to be impeccable, and the sound is really magnificent. And there are some moments of nice performance, particularly by Wayne, Robert Stack, Jan Sterling, and John Qualen. But as much as I would love to say this is a resurrected masterpiece, it simply isn't possible for me to do so honestly. After AIRPLANE!, I'm not sure it's reasonable to expect people to take a Fifties airliner disaster movie seriously. But the level of corn and hokum and treacle and syrup in which the film wallows (especially in the primary sections dealing with the passengers rather than the crew) is simply intolerable in today's world. I'm not referring to the fact that it's a different practical world now, one in which it would be ludicrous to show a passenger pulling a gun on another passenger on an airliner of today. I'm referring rather to the simple unbelievability of the human behavior exhibited. I'm willing to accept a passenger getting aboard a trans-Pacific airliner with a gun in his pocket in 1954. I'm not willing to accept him pulling that gun, threatening other passengers with it, having it taken from him, and later having it handed back to him just because he says, "I'm all right now, I've calmed down." Phil Harris, fifty at the time and looking sixty, plays a 38-year-old, and 43-year-old Ann Doran plays his 30-year-old wife. Laraine Day berates her husband and demands a divorce, and good ol' Phil says to the husband, "You think you got problems?" and proceeds to tell him about how rain and crummy hotels ruined his vacation, and the husband (John Howard) thus sees his own life in a new perspective. Every cliché imaginable comes into play, and rarely is there a moment that can be easily swallowed, even with Herculean efforts to place oneself mentally in the zeitgeist of the film.Only in the cockpit are things comparatively realistic and believable, and even there big pills must be swallowed. One of the reasons John Wayne comes off so well in this film is he has relatively little to say. It's probably the lowest line-count of any of Wayne's leading roles, and thus unsaddled with the maudlinities and sappiness of the dialog the passengers are stuck with, he comes off better than anyone in the picture. Spencer Tracy was supposed to play Wayne's role but turned it down (according to various stories) either because he thought the script was lousy or he didn't want to work for taskmaster William Wellman. I'm betting on the former reason.There are still things to like in THE HIGH AND THE MIGHTY (Dimitri Tiomkin's Oscar-winning score among them), but an awful lot of people have been waiting forty years to see this "masterwork" again, and an awful lot of them are going to be either seriously disappointed or forced to convince themselves that it's not as bad as it seems.

Movie Reviews

Reviewed by JimB-4 6 / 10

Not the classic everyone "remembers"

Reviewed by TheLittleSongbird 5 / 10

Yet another case of the music being better than the movie

The High and the Mighty is not a bad film really, but when I finally saw it I didn't care for it either.The High and the Mighty does look reasonably good. The cinematography is pleasant enough, and the costumes, lighting and scenery are decent too. The only real exception to the rule is the title sequence, which is on the grotty side, more to do with the quality of the picture than the film itself. Wellman's direction while slightly awkward in places is serviceable. The cast do also give it their all- this movie is far from John Wayne's best movie or even his best role but he is good, and the supporting performers are quite entertaining too, from Phil Harris, Claire Trevor, Robert Newton to Robert Stack. The best asset though is the music score by Dmitri Tiomkin, while not among my favourite movie scores it is outstanding and another case of the score being better than the movie.However, The High and the Mighty does have a lot of faults in my humble opinion. The film is overlong with some scenes going on longer than they perhaps should have done, and it is also quite sluggish. Not exactly in the pace as such, but more in the fact that the film takes a while to get going. The film starts off quite briskly, but once other characters and their situations are introduced the pace slackens. The flashback sequences are also uneven, some are interesting, some are very mundane. The film also suffers from an increasingly meandering script and shallow and clichéd characterisation.Overall, in my view it is worth watching but I wasn't as impressed as I thought I would be. 5/10 Bethany Cox

The High and the Mighty

1954

Action / Adventure / Drama / Thriller

The High and the Mighty

1954

Action / Adventure / Drama / Thriller

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Movie Reviews

Not the classic everyone "remembers"

Yet another case of the music being better than the movie

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