The Kid Brother

1927

Action / Comedy / Drama / Family / Romance

7
Rotten Tomatoes Critics - Certified Fresh 92% · 12 reviews
Rotten Tomatoes Audience - Upright 85% · 500 ratings
IMDb Rating 7.6/10 10 5213 5.2K

Top cast

Gus Leonard as Townsman
Harold Lloyd as Harold Hickory
Olin Francis as Olin Hickory
Walter James as Jim Hickory
720p.BLU 1080p.BLU
715.85 MB
968*720
English 2.0
NR
23.976 fps
1 hr 22 min
Seeds 2
1.34 GB
1440*1072
English 2.0
NR
23.976 fps
1 hr 22 min
Seeds 8

Movie Reviews

Reviewed by springfieldrental 7 / 10

Harold Lloyd's Proudest Film

A revolving door of film directors was taking place in the creation of one of Harold Lloyd's most admired film, January 1927's "The Kid Brother." First, Lewis Milestone sat in the director's chair and began the production about the youngest (Lloyd) of three brothers, sons of the town sheriff. Harold's looked down by the other two brothers and the dad as a wimp. Since Milestone was under contract by another studio, he had to pull out on it called him to work on one of its films. Then came Ted Wilde. The gag writer for Lloyd directed a few scenes before he was stuck down with a minor stroke. Wilde gets the director's credit on the film. But in reality it was Lloyd who called most of the shots for camera placement, movement and scene structure."The Kid Brother" was the one film Lloyd, in his vast body of work, was most proud of. In his retirement, this was the movie he would show at film festivals and film school lectures. Loosely connected with a 1924 Hal Roach feature, 'The Whip Sheep," Lloyd's plot describes how, despite being portrayed as a wimp by his family and the townspeople, he singlehandedly pursues the thief who stole the village's tax money entrusted in his dad's hands for the payment of a nearby dam construction. At first his female admirer, Mary (Jobyna Ralston), was accused as part of a plot to steal the funds. But then Harold stumbles upon the real robber."The Kid Brother" differs from Lloyd's other feature films in a number of ways. The comic hired eight writers to draw up a plot that contained not only comedy, but romance, drama, and most important to him at this period of his career, character development. Adopting elements of Henry King's admired movie 1921 "Tol'able David," Lloyd's film uses a number of ingenious camera traveling shots to emphasize the movement of the plot. In one specific scene, when Harold first meets Mary, he's shown climbing a high tree, stopping periodically to yell something to her as she's walking away down a hill. A specially-constructed elevator was built to carry the camera as it follows Lloyd up the tree. There's no doubt "The Kid Brother" is one of Lloyd's most sophisticated shot movie in his portfolio.This would be Ralston's final movie with Lloyd, ending a string of collaborations from 1924's "Girl Shy." Her next film was an appearance in the Academy Awards Most Outstanding Picture, 1927's "Wings." Ralston starred in another ten films. But her acting ended in 1932 when she decided to concentrate on her family after she married actor Richard Arlen, whom she met while making "Wings."
Reviewed by sol- 7 / 10

O Brother, Where Art Thou?

Timid and always in the shadow of his older brothers, the youngest son of a sheriff gets a chance to prove his worth when thieves come to town in this Harold Lloyd comedy. As has been noted by others, the basic plot is hardly original, in many ways a rerun of what we have seen before with Lloyd in 'Grandma's Boy'. This is a far funnier motion picture though and the gags always feel like an organic part of the tale and character progression, whereas the earlier Lloyd film is more a series of skits. At 'The Kid Brother''s most amusing, Lloyd's two nightgown-clad brothers try unsuccessfully to hide when he brings a girl home unannounced at night. This subplot becomes even funnier when morning comes round and they keep trying to romance Lloyd's new girlfriend, unaware that she has already left and it is just Lloyd left behind the bed sheets hanging in his quarters. The film is also blessed with some excellent camera-work for the era (a crane shot that travels up a tree), but if there is one aspect that lets the film down, it is an over-reliance on dialogue with the title cards breaking up the intimacy of the action on more than one occasion. Most of 'The Kid Brother' is very good news though, spinning a tight and cohesive narrative a la 'The Freshman'. Lloyd is also as great as one would expect, though a monkey in the final quarter pretty much steals the show.

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