The Liberator

2013 [SPANISH]

Biography / Drama / History

4
Rotten Tomatoes Critics - Rotten 36% · 25 reviews
Rotten Tomatoes Audience - Upright 65% · 1K ratings
IMDb Rating 6.7/10 10 5782 5.8K

independence biography

Director

Alberto Arvelo Photo
Alberto Arvelo

Top cast

María Valverde Photo
María Valverde as Maria Teresa Bolivar
Leonidas Urbina Photo
Leonidas Urbina as Ayudante de Santander
Danny Huston Photo
Danny Huston as Torkington
Iwan Rheon Photo
Iwan Rheon as Daniel O'Leary
720p.BLU 1080p.BLU
1.06 GB
1280*544
Latin 2.0
NR
Subtitles us  la  
23.976 fps
1 hr 58 min
Seeds 3
2.19 GB
1920*816
Latin 5.1
NR
Subtitles us  la  
23.976 fps
1 hr 58 min
Seeds 11

Movie Reviews

Reviewed by kosmasp 7 / 10

Liberating

After playing Carlos Edgar Ramirez takes on another historical figure. He's doing a great job again with this one, showing off more sides than one of a man who was very important. In Europe we might not have heard of him, which is why they compare his achievements with those of Alexander the Great. Different times and different possibilities of course are a bit of deal breaker in this comparison. But still, mostly doing positive things, should be acknowledged.Having said that, we do have more than drama here, but less controversy (if you think Oliver Stones Alexander) in some respects. The fight or war scenes are shot nicely, as is the whole movie. Very good acting and neatly outlined story development help too. Not only for historian buffs, but anyone who loves a good story
Reviewed by eo-79513 7 / 10

A Flawed Visual Spectacle to Nineteenth Century South America

Historical drama in Latin American cinema has experienced a comeback in recent years (Morelos, 5 de Mayo, The Conquest) with mostly disastrous results, as the ambition of these projects rarely is met with adequate resources or talent. This film is somewhat of an exception. The most expensive South American film made to date, The Liberator cannot be accused of being unambitious. The 50 million dollar production deserves to be seen if for no other reason than to find out how the money was spent. Venezuelan director Albert Arvelo spared no expense in creating spectacular sets that recreate Madrid, Paris, Bogota, and Caracas, among other cities, and in mobilizing armies of extras to re-stage 19th century battles. The result is convincing. The camera-work and cinematography of Xavi Gimenez (The Machinist, Agora) is equally first class, whether it is drone-shot aerial vistas of the snow-capped Sierra Nevada or hand-held following a fleet of canoes over the Orinoco river. The score, by the phenomenally talented Gustavo Dudamel, elevates the visuals and, while mostly conventional, punctuates orchestral lushness with Amerindian instrumentation much like in Moriccone's The Mission. If only the script were on the same level. Part biopic and part cinematic history lesson, the film ties to capture almost the entirety of Simon Bolivar's life in under two hours. Instead of choosing a slice of the life of one of the most complex historical figures of the nineteenth century, as Spielberg's Lincoln did effectively, Arvelo foolishly tried to rush us through his entire career, from his time as a young landowner, to a dilettante in Paris, to an almost Moses-like figure liberating an entire continent. Such ambition is nearly impossible to pull off, and what we get is a Wikipedia-like biography on celluloid. We follow Bolivar around without ever understanding motives, emotional or political. The narrative devices are equally problematic. Forced, unnatural dialogue is mixed with shots of Bolivar penning letters while we hear unconvincing voice-overs in Spanish, English and French. As the movie progresses, the less time the director has in explaining the historic or personal issues, and mere minutes are spent in political battles that lasted years. During the last half hour, the film opts for slogans, name-calling and unashamed hero worship. Edgar Ramirez, who was riveting in Assaya's Carlos, plays the title character and doesn't quite know what to do with the role. He has a screen presence, but he cannot do much with a film has little time for character development. Ramirez is most comfortable in the early scenes, as a sorrowful young widower, but the progression from aristocratic landowner to military commander and towering political leader is unconvincing and he becomes increasingly unlikable. The English banker Torkington (the great Danny Huston), is the only other memorable character, but later in the film is turned into a capitalist-cartoon villain that seems like something out of a propagandist's imagination. Arvelo, the director, confessed in a Variety interview that "screenwriting is quite possibly the weakest element in Latin American filmmaking." How could I disagree? Still, the accomplishments of the film are undeniable. The film is a visual spectacle, best seen in a large screen, and at the very least left me wanting for someone else to try a real character study of Bolivar.
Reviewed by elmuchacho-86471 8 / 10

Gran Mariscal de Ayacucho next?

Very good movie. Edgar Ramirez is the best Simon Bolivar since Mariano Alvarez (RIP). It's a movie I would own and watch again and recommend it to anyone that wants to learn about this great man and/or sit and enjoy a movie. The photography and design are superb. I felt that Bolivar's struggles were palpable and moving. They should have made it a longer, two-part movie if you ask me. The only thing that I didn't understand much was the final scene. I guess the director just wanted to get artistic, or give it a little twist. Anyone that has read or studied Bolivar, as any Venezuelan has or should, will know what I'm talking about. Antonio Jose de Sucre needs a whole movie of his own.
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