The Lickerish Quartet

1970

Action / Drama

5
Rotten Tomatoes Critics - Certified Fresh 67% · 9 reviews
Rotten Tomatoes Audience - Spilled 56% · 100 ratings
IMDb Rating 5.8/10 10 1430 1.4K

Director

Radley Metzger Photo
Radley Metzger

Top cast

Paolo Turco Photo
Paolo Turco as Son
Angelo Boscariol Photo
Angelo Boscariol as Soldier
Karl-Otto Alberty Photo
Karl-Otto Alberty as Bit Part
Frank Wolff Photo
Frank Wolff as Father
720p.BLU 1080p.BLU
805.72 MB
1280*688
English 2.0
NR
Subtitles
23.976 fps
1 hr 27 min
Seeds 7
1.46 GB
1918*1030
English 2.0
NR
Subtitles
23.976 fps
1 hr 27 min
Seeds 15

Movie Reviews

Reviewed by allyjack 7 / 10

Poised uneasily, but surprisingly successfully, between art and porn

It's a pretty adventurous movie, poised rather uneasily between constant arty inventiveness and a distinctly stilted coating of baroque overemphasis that, of course, makes due space for the porno calculations. From the very first scene of the family watching the dirty movies, heard initially as disembodied heads in darkness, there's an obvious hankering after seriousness, and the astonishment is that this ambition never becomes utterly foolish. It's quite a provocative film, and would likely not seem so dated with warmer, more nuanced actors, a less obviously titillating style, and without the unfortunate montages of running through the fields and suchlike to the accompaniment of gooey sixties music. There's ultimately no real revelation though, despite the constant return to doubling and echoing and evocation of the odd relationship between art and life, but it gives the feeling of having been intuitively (more than intellectually) shaped and prodded into something quite coherent. The highly designed library sex scene hardly fits but is memorable in its own right.
Reviewed by ferbs54 6 / 10

Opening with a quote by Luigi Pirandello regarding the elusive and illusory nature of reality, Radley Metzger's 1970 soft-core, art-house offering, "The Lickerish Quartet," is indeed one mind-twisting film. In it, a stepfather, wife and son watch a stag film one night in their sumptuous castle, and later go to a carnival and see a motorcycle stunt performance. They bring home the beautiful blond cycler, who bears an uncanny resemblance to one of the hotties in that stag film, and she proceeds to seduce all three in turn. The end. But wait a minute...why is that stag film subtly altered now, and why do the family and the hotty start emulating the action IN that film? Apparently, Metzger & Co. have some comments they'd like to make regarding art imitating life, or life imitating art, or the mutability of reality, or how film alters our perception of truth, or how time plays tricks on memory. After two viewings, I'm still trying to figure the darn thing out. But the picture does provide other pleasures, besides its baffling themes. The four principals are all quite good, especially the gorgeous Silvana Venturelli as the blond (or is it brunette?) temptress. The location of the film, the Piccolomini Castle in Balsorano, Italy (also the location, BTW, of the 1965 Italian horror film "The Bloody Pit of Horror"), is equally gorgeous, and Enrico Sabbatini's set decor of the castle's chambers (especially that library!) is also a feast for the eyes. Perhaps best of all, Stephen Cipriani has provided a Morricone-like score for the film that is exceptionally beautiful, and certainly deserving of a soundtrack CD. This score is especially lovely when used as a backdrop for Silvana's prancing through a sunlit field. Still, "The Lickerish Quartet" remains a trippy head-scratcher, at best. Lines such as "Isn't everyone in movies?" and "Reality's hard" might clue in potential viewers to prepare themselves for one brow-furrowing evening....
Reviewed by ferbs54 6 / 10

"Reality's Hard"

Opening with a quote by Luigi Pirandello regarding the elusive and illusory nature of reality, Radley Metzger's 1970 soft-core, art-house offering, "The Lickerish Quartet," is indeed one mind-twisting film. In it, a stepfather, wife and son watch a stag film one night in their sumptuous castle, and later go to a carnival and see a motorcycle stunt performance. They bring home the beautiful blond cycler, who bears an uncanny resemblance to one of the hotties in that stag film, and she proceeds to seduce all three in turn. The end. But wait a minute...why is that stag film subtly altered now, and why do the family and the hotty start emulating the action IN that film? Apparently, Metzger & Co. have some comments they'd like to make regarding art imitating life, or life imitating art, or the mutability of reality, or how film alters our perception of truth, or how time plays tricks on memory. After two viewings, I'm still trying to figure the darn thing out. But the picture does provide other pleasures, besides its baffling themes. The four principals are all quite good, especially the gorgeous Silvana Venturelli as the blond (or is it brunette?) temptress. The location of the film, the Piccolomini Castle in Balsorano, Italy (also the location, BTW, of the 1965 Italian horror film "The Bloody Pit of Horror"), is equally gorgeous, and Enrico Sabbatini's set decor of the castle's chambers (especially that library!) is also a feast for the eyes. Perhaps best of all, Stephen Cipriani has provided a Morricone-like score for the film that is exceptionally beautiful, and certainly deserving of a soundtrack CD. This score is especially lovely when used as a backdrop for Silvana's prancing through a sunlit field. Still, "The Lickerish Quartet" remains a trippy head-scratcher, at best. Lines such as "Isn't everyone in movies?" and "Reality's hard" might clue in potential viewers to prepare themselves for one brow-furrowing evening....
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