The Limits of Control

2009

Action / Crime / Drama / Mystery / Thriller

18
Rotten Tomatoes Critics - Rotten 43% · 128 reviews
Rotten Tomatoes Audience - Spilled 43% · 25K ratings
IMDb Rating 6.2/10 10 21852 21.9K

Plot summary

A mysterious stranger works outside the law and keeps his objectives hidden, trusting no one. While his demeanor is paradoxically focused and dreamlike all at once, he embarks on a journey that not only takes him across Spain, but also through his own consciousness.

Director

Jim Jarmusch Photo
Jim Jarmusch

Top cast

Hiam Abbass Photo
Hiam Abbass as The Driver
Isaach De Bankolé Photo
Isaach De Bankolé as The Lone Man
Tilda Swinton Photo
Tilda Swinton as The Blonde
John Hurt Photo
John Hurt as Man with Guitar
720p.BluRay 1080p.BluRay
1.01 GB
1280*682
English 2.0
NR
Subtitles us  
23.976 fps
1 hr 56 min
Seeds 6
1.82 GB
1920*1024
English 2.0
NR
Subtitles us  
23.976 fps
1 hr 56 min
Seeds 26

Movie Reviews

Reviewed by ricardojorgeramalho 7 / 10

The Journey

An abstract reflection on power and its transience. A risky film by Jim Jarmusch which, despite having stars in secondary roles, having the exoticism of being filmed in Spain and having many of the qualities to which this irreverent North American independent filmmaker has accustomed us, ends up leaving a slight bitter taste in the mouth.Deep down because Jarmusch stripped the film of everything superfluous, summarizing it as a bare course, without a classic plot beyond the essential message. Life is short and all power is vain and transitory. A simple journey whose destination is discovered at each stop.
Reviewed by crculver 5 / 10

In this psychological drama with highly eccentric dialogue, ultimately Jarmusch's visual poetry is the strong point

Jim Jarmusch's 2008 film THE LIMITS OF CONTROL concerns a nameless hit-man (Isaach De Bankole) as he prepares to carry out an assassination in Spain. It is not overtly stated that he is a professional, but his uncompromising posture, his unchanging expression and the omnipresent suitcase make it clear from the very first minutes of the film. Isaach De Bankole is perfect in this role, as he has a face that seems carved out of granite. The hit-man's few intimations of humanity are thus all the more shocking.As the film proceeds, the hit-man meets a series of individuals who send him onwards in his journey to pick up necessary equipment and finally confront his victim. These employees of his mysterious employer are left nameless, though often referred to by items they carry or other qualities: "Guitar" (John Hurt), "Blond" (Tilda Swinton), "Violin" (Luis Tosar), "Mexican" (Gael García Bernal), and "Molecules" (Youki Kudoh). In engaging the assassin in conversation to subtly convey their messages, they end up delivering eccentric monologues. Many critics lambasted these lines as so much metaphysical babble. In fact, everything said relates very directly to the plot, but this is the sort of film that demands a second viewing to really tie everything together, and those who fail to be intrigued enough on the first viewing to go on to a second may find this film a failure.Though Jarmusch alludes to America under the Bush administration at points, this is ultimately a psychological drama: the hit-man's task and contacts represent only parts of his own psyche. While some have tried to view this as a simple Freudian struggle between the id, ego, and superego, I feel that Jarmusch is aiming for something more subtle, something that he has great difficult putting into words and, even with his best efforts, this film can only hint at. THE LIMITS OF CONTROL feels like a cinematic analogue to the late albums of Scott Walker, where the songs' characters, cultural references and "plot" only serve to express some burning flame in the artist's own psyche.Jim Jarmusch has always stated that his aesthetic is to absorb everything he can from prior films (and books, music, etc.) and let those inspirations reflect in his own films. THE LIMITS OF CONTROL abounds with references to the film canon: Jean-Pierre Melville (namely "Le Samouraï"), Orson Welles ("The Lady from Shanghai"), Alfred Hitchcock, Aki Kaurismäki ("Le Vie de Bohème"), Alejandro Jodorowsky (that auteur's entire trippy aesthetic), and probably more that I just didn't recognize.The film's lack of conventional interaction between characters and the compilation of references ultimately makes THE LIMITS OF CONTROL feel relatively cold and lifeless compared to Jarmusch's many other films. Still, the visuals of the film make it a worthwhile experience in spite of its flaws. With Christopher Doyle, funny enough, working the camera, we get a number of beautifully composed shots that will prove memorable.
Reviewed by miike7311 6 / 10

Slow pacing and unconventional movie-making at it's best.

This movie had a great buildup to a massive letdown. The whole movie although painfully slow at times did a great job leading to it's conclusion, but the conclusion just didn't deliver. I'm not real sure about the moral degradation that this film portrays as an enlightening revolution, but the acting is good enough to pass. I enjoyed Dead Man a lot more and Jarmusch may have taken the slow pace and limited dialogue a tad too far in this film. The character interaction is interesting, but always one sided and unfulfilled, maybe that was the point. Overall, and interesting but flawed movie. Under careful scrutiny this is a carefully laid out plot that just doesn't live up to the expectation.
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