The Little Soldier

1963 [FRENCH]

Action / Drama / War

15
Rotten Tomatoes Critics - Rotten 73% · 21 reviews
Rotten Tomatoes Audience - Upright 73% · 5K ratings
IMDb Rating 7.1/10 10 8672 8.7K

french colonialism algerian war (1954-62) anti-imperialism

Plot summary

Despite his lack of political convictions, photojournalist Bruno Forestier is roped into a paramilitary group waging a shadow war in Geneva against the Algerian independence movement.

Director

Jean-Luc Godard Photo
Jean-Luc Godard

Top cast

László Szabó Photo
László Szabó as Laszlo
Jean-Luc Godard Photo
Jean-Luc Godard as Man at Railway Station
Anna Karina Photo
Anna Karina as Veronica Dreyer
Michel Subor Photo
Michel Subor as Bruno Forestier
720p.BluRay 1080p.BluRay
807.89 MB
978*720
French 2.0
NR
Subtitles us  
23.976 fps
1 hr 28 min
Seeds 3
1.47 GB
1456*1072
French 2.0
NR
Subtitles us  
23.976 fps
1 hr 28 min
Seeds 20

Movie Reviews

Reviewed by Xstal 6 / 10

War, What is it Good For...

Bruno's compromised, his treacherous position, now there's those who'll make profit, at their volition, to encourage him to shoot, will not entertain dispute, until he's satisfied their will, completed mission. Veronica proves to be, quite a distraction, causes Bruno to evaluate his fractions, as the other side entrap, chain his wrists, to the bath tap, while using torture as their primary transaction. Then a chance to land back in the ladies arms, of the mission he can't have, any more qualms, but subversion has its day, the couple go their separate ways, it's hard to think that Bruno, remained very calm.
Reviewed by kirbylee70-599-526179 4 / 10

LOVE AND POLITICS

During the early 60s a film movement began that eventually took hold in all countries but started in France. Dubbed the New French Wave the style of film making attempted to use new techniques, to toss aside traditional ways of making movies and to attempt to create something completely new and different. Many of the biggest names in the movement were film critics who went on to become directors themselves. While there were several of these directors to note, perhaps the biggest two were Francois Truffaut and Jean-Luc Goddard. In 1960 Goddard broke out with his film BREATHLESS starring Jean-Paul Belmondo. The following year he made LE PETIT SOLDAT. Due to controversy it wasn't released until 1963. But it is now on blu-ray from Criterion.Let me say up front that much of the film will be confusing the many because of where and when it takes place. Then again perhaps it's just my own shortcomings. I for one was not aware of the history of the Algerian War involving France and thus the film was more confusing than if I was more informed perhaps. Then again maybe not.The story revolves around Bruno (Michel Subor), a young photojournalist with connections to a right-wing paramilitary group working with the French government. He is given instructions by his superior to assassinate a professor who is accused of aiding Algerian fighters. He refuses to follow through on this, insisting it's not his place to do this sort of work.While all of this is going on a friend of Bruno is introduced to a young woman who is considering being a model named Veronica (Anna Karina). Veronica believes in the cause of the Algerian fighters but their discussions float back and forth between politics and love.When the left leaning group begins to suspect Bruno of being a double agent he is kidnapped and tortured. He convinces them he is trustworthy and allowed to leave. This solidifies his decision to follow through on the instructions given to him before. But then he learns his group has taken Veronica captive and are employing their own methods of torture against her.LE PETIT SOLDAT was not considered one of Goddard's more successful films and even to this day is considered controversial due to the subject content. But as I said earlier, without knowing all of that information the controversy seems moot. So instead I focused my thoughts on the film itself. In all honesty even while trying to place myself in that time period, when considering what was being attempted here, I found myself bored.The film has no steady flow, perhaps being what Goddard was attempting to do. While that might have seemed praiseworthy at the time as something innovative and new, I found it to be pretentious and an attempt to create art where there was none. Sure it's different but different doesn't always make something good.The film also spends more time talking than most with many points being made repetitively. Even though the subtitles were easy to keep up with even in English there was far too much talking almost to the point of preaching rather than a film with a story. And the moments where talking wasn't taking place felt like just someone with a camera walking around shooting the actors going from place to place with dialogue dubbed in later. Again, that may have been what Goddard set out to do but it doesn't make for an enjoyable viewing.I've often said that there is art and there is the pretentious pieces of material offered to the public and considered art. More often than not these items are paintings, statues, film or something else that the people they were intended for either don't get or don't care about. For some reason rather than calling them out for what they are, the king not wearing any clothes, critics instead praise them for fear of not being "in the know" or realizing what current trends are.I've never felt that way. While I love the fact that any and all films are being preserved for historical reasons or for fans of certain films and directors who want to collect everything, I still call movies as I see them. For me this one dragged, was implausible and boring on all levels. But if you love hand held camera work, enjoy listening to someone ramble on about politics with no points or watching what feels more like a home movie than a feature film then maybe you would enjoy this one.Kudos to Criterion for their handling of the film for those fans of French New Wave, Goddard or art films. The film is being released on blu-ray with a digital restoration approved by cinematographer Raoul Coutard. Extras include an interview with Goddard from 1965, an interview with actor Subor from 1963, an audio interview with Goddard from 1961 and an essay by critic Nicholas Elliot.
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