The Man Who Sleeps

1974 [FRENCH]

Drama

7
IMDb Rating 7.9/10 10 5393 5.4K

depression nihilism surrealism existentialism anomie

Director

Bernard Queysanne Photo
Bernard Queysanne

Top cast

Jacques Spiesser Photo
Jacques Spiesser as The Man
Ludmila Mikaël Photo
Ludmila Mikaël as Narrator / Récitante
480p.DVD
687.74 MB
320*240
French 2.0
NR
Subtitles
29.97 fps
1 hr 17 min
Seeds 6

Movie Reviews

Reviewed by kurtralske 8 / 10

Depression and Anxiety in Paris 1974

Un Homme Qui Dort is a must-see if you're into experimental cinema, or if you're interested in films about mental health issues. The nameless protagonist, who never speaks, battles against his antagonists: his own depression, anxiety, and despair. A female voice-over expressively and poetically narrates his internal struggles and his aimless nocturnal peregrinations through Paris. At times his solitude seems like a higher state, but eventually it becomes an intolerable prison. Towards the end, it seems the anti-hero's battles take on a political dimension, reflecting the perspectives of post-May '68 Situationist concepts: if capitalism is alienating, how can any sensitive person respond except by becoming alienated? While the film works well, and has an effective dynamic arc, it's kind of amazing the creators were able to extend this well-constrained etude to a duration of 1 hour 17 minutes. Not a fun or joyful film, but a powerful one, and one I'm glad to have watched.
Reviewed by Ore-Sama 7 / 10

Moody Experimental Film

This criminally underrated 1974 film easily ranks among the likes of "Pickpocket", "Breathless" and "The 400 Blows" as among the greatest films in french cinema. This film chronicles a young man who has dropped from his studies and is trying to distance himself from the world around, but starts finding it increasingly hard. Shot in black and white, the film feels like a new wave film with it's raw, low budget cinematography, having a grainy and gritty look that punctuates the intense, somber mood of the film. Scenes in darkened areas are reminiscent of noir films in their use of shadow, and the editing is generally quick, sometimes with a musical flow. In addition to the imagery, the story is conveyed through a second person female narrator (second person meaning the narrator is always referring to "you", such as "you do or don't get up"). Interestingly, whenever the situation becomes more anxious and desperate, the narrator's normally flat tone starts to become more panicked, or angry. So while the film may seem initially as just a woman talking about something this man is doing, in reality it does have a, albeit abstract, character arc.Although at times trying on the patience, this film's style ultimately pays off, creating a completely unique and engrossing experience. The slow, subtle deteoration of the main character's mental state spills into your mind. I was rarely bored while watching, thanks to the powerful imagery and raw, minimalist atmosphere. The detachment our lead is trying to create is perfectly conveyed. The film recreates the tedium and a sort of numb pain, the depravity, desperation and entrapment this attempted lifestyle leads to.If you want a more traditional narrative, certainly look elsewhere. If what you've read here and in other reviews sounds interesting, than this is probably the film for you.
Reviewed by dbdumonteil 8 / 10

one imaginary boy

Famous French writer Georges Pérec was always interested in cinema. He notably took part in Alain Corneau's thriller "Série Noire" (1979) five years after this adaptation of his own novel. Shot by Bernard Quesyanne and awarded with the Jean Vigo prize, the filmmaker found an adequate cinematographic language to capture the somewhat desolate spirit of the novel.A student who's about to end his studies decides overnight to stay completely indifferent to the world that surrounds him. It's a silent, black & white movie only enhanced by a woman voice over which introduces the young hero to the audience and comments from his own standpoint his actions. Although we don't know the reasons of his retirement from the world, we learn many things of his lifestyle: his bedroom, his wage, his eating habits, his wandering all over Paris etc... It's interesting to note down the mellow voice-over of the woman that gradually gets worried and angered. Indeed, our student is at first completely silent and indifferent but then anxiety, fear overcome here. Is it really possible to stay indifferent like that during a lifetime? Is there a possible exit?This film could be a cousin of Alain Jessua's debut film "La Vie A L'Envers" (1964) in which a man stops to comply to the routine of everyday life. Such is also the case here. Only the voice-over enables the audience to penetrate the empty soul of this young man and to try to decipher his thoughts although as I previously said his motivations to refrain from social life remain blurred. Through him, Pérec wanted to express his view on French society but in a neutral way. He was always interested in it and showcased it in several of his books especially "La Vie: Mode D'Emploi" (1978). Given the anguished tone adopted by the voice in the second half of the film, the writer probably feels fear towards the banality and the mundane character of everyday life that offers no exits. Perhaps that's what our main hero tries to do: to stay in silence to try to discover another world. But it is bound to fail. So what to do?Jacques Spiesser is perfectly directed and his expressionless faces capture the nothingness he voluntarily creates all around him. He is at the center of an arty film which tries and succeed to depict the humdrum common life that can verge towards absurdity.
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