The Proud and Profane

1956

Drama / Romance / War

4
Rotten Tomatoes Critics - Certified Fresh 75%
Rotten Tomatoes Audience - Upright 75%
IMDb Rating 6.2/10 10 832 832

Director

George Seaton Photo
George Seaton

Top cast

Joe Turkel Photo
Joe Turkel as Patient with Cards
Thelma Ritter Photo
Thelma Ritter as Kate Connors
Ray Stricklyn Photo
Ray Stricklyn as Casualty
Peter Hansen Photo
Peter Hansen as Lieutenant
720p.BLU 1080p.BLU
1022.38 MB
1280*690
English 2.0
NR
23.976 fps
1 hr 51 min
Seeds 1
1.85 GB
1920*1036
English 2.0
NR
23.976 fps
1 hr 51 min
Seeds 4

Movie Reviews

Reviewed by jotix100 7 / 10

Please forgive me!

Reviewed by secondtake 6 / 10

A delayed echo of From Here to Eternity--not half bad, but only half

The Proud and Profane (1956)Yes, this movie features William Holden and Deborah Kerr, who do their characteristic best in a lower budget echo of the 1953 blockbuster "From Here to Eternity," also featuring Kerr (but with Lancaster and, for good measure, Montgomery Clift). The comparison is fair, because the similarities are too blatant, and so it's fair to also say that, as ordinary as this movie is, it had potential. There are qualities to the story line that are too moving (wounded soldiers in the Pacific, a widow tracing the last days of her Marine husband's life, a love affair against the rules) and the actors are too fine (add Thelma Ritter as an important third) to just dismiss the whole thing as a mess.The director, George Seaton, is really a screenwriter, and though he directed a dozen features, none of them are especially memorable. His real fame rests on assisting with several great movies (like "The Wizard of Oz") and with a single brilliant coup--the screenplay for the original 1947 as well as the later TV version of "Miracle on 34th St." And it is no surprise that Seaton's own screen writing in "The Proud and Profane," though prosaic, is very good. Ah, but filmmaking is about timing, flow, surprise, drama, light, shadow, and sounds of all kinds. This is the director's blank canvas and Seaton doesn't go anywhere in any of these areas. The light is bright and flat. The camera-work is functional and bland (cameraman John Warren being a newcomer, moving quickly to television, including many Hitchcock episodes). The score is strong (thanks to veteran master Victor Young) but there is no attempt to insert diegetic music or more interesting internal sounds. Even the supporting cast is pigeonholed into clichés (and there is no critical secondary male role, as Clift played in the 1953 movie). Thelma Ritter is at her best, more normalized than in other roles, but believable and superb.I write all this for a routine movie because of Holden, who is an understated and sometimes brilliant actor, and Kerr, who I never warm up to but who is almost designed to be too cold to like. Kerr in particular is up and down here, at times so perfectly cast and so convincing you start to really watch closely, but other times she has to stretch her role a little (when she is dancing, for example, or in the cheesy beach scene early on) and it's awkward. Holden is made to be an enigma, and when he warms up (out of uniform) he's likable, and when he's cold, he's cold, but never admirable, which is what a commander needs to be at least.I enjoyed this movie because I enjoy movies, but also because it has aspects that are terrific. If you really like war films that aren't about battle (as I do), this is a must see. And if you want perspective on "From Here to Eternity" you really will appreciate both films more. For just a fresh, well-made movie, terrific you will need to keep looking.
Reviewed by kenjha 7 / 10

OK Romantic Drama

During WWII, a Red Cross volunteer comes to the South Pacific seeking information about the death of her soldier husband. Kerr is fine as the lonely woman struggling to cope with her loss. This is a strange role for Holden, who usually played characters with integrity. Although the actor is always worth watching, here his character is basically a dishonest heel. It's hard to believe that someone like Kerr, no matter how vulnerable, falls in love with him. Not surprisingly, Ritter steals the film as a tough but caring nurse. The screenplay and direction by Seaton, who worked with Holden on four films, is nothing special, but it's not bad either. The scenery is nice.
Read more IMDb reviews

3 Comments

Be the first to leave a comment