The Ride Back

1957

Action / Drama / Western

5
Rotten Tomatoes Critics - Rotten 45% · 1 reviews
Rotten Tomatoes Audience - Spilled 45% · 50 ratings
IMDb Rating 6.6/10 10 1063 1.1K

sheriff mexico failure murder death

Plot summary

A troubled sheriff, a failure at everything in his life, tries to redeem himself by extraditing a popular gunfighter from Mexico to stand trial for murder.

Director

Oscar Rudolph Photo
Oscar Rudolph

Top cast

Victor Millan Photo
Victor Millan as Father Ignatius
William Conrad Photo
William Conrad as Sheriff Chris Hamish
Anthony Quinn Photo
Anthony Quinn as Bob Kallen
Jorge Treviño Photo
Jorge Treviño as Border Guard
720p.BluRay 1080p.BluRay
738.42 MB
1280*682
English 2.0
NR
Subtitles us  
23.976 fps
1 hr 20 min
Seeds 2
1.34 GB
1920*1024
English 2.0
NR
Subtitles us  
23.976 fps
1 hr 20 min
Seeds 1

Movie Reviews

Reviewed by Wuchakk 8 / 10

A Hidden Western Gem

"The Ride Back" is a B&W Western from 1957 starring William Conrad (aka "Cannon") as a hard-luck Texas lawman sent to Mexico to bring back a charismatic man wanted for murder, played by Anthony Quinn.Plot-wise, the film is reminiscent of another B&W 1957 Western, "3:10 to Yuma," but "The Ride Back" was released about 4 months prior to "3:10" and was adapted from a "Gunsmoke" radio program episode. Conrad played Matt Dillon on the radio show in the 50s and early 60s but was too short and portly for the TV version that premiered in 1955 with James Arness starring as Marshal Dillon. Conrad produced "The Ride Back" in response.Viewing "The Ride Back" for the first time, it is interesting to see William Conrad some 15 years before starring in "Cannon" and Anthony Quinn is as larger-than-life as ever, not to mention the stunningly beautiful Lita Milan as Quinn's Mexican girlfriend. Yet the true appeal of "The Ride Back" transcends these surface attractions.The first thing that happily struck me about the movie is that the filmmakers strove for realism in the manner of notable 50s Westerns by Stewart/Mann and Scott/Boetticher. Such realism is observed in the heavy use of Spanish in the early Mexican segments and the film's depiction of American Indians. The Native here are elusive wraiths more than anything else, but that's the best route to go at a time when more close-up portrayals of Indians typically came off artificial and even laughable, especially as seen through modern eyes.After the first half-hour the film morphs into a moving character study. ***SPOILER ALERT*** Hamish (Conrad) slowly realizes that Kallen (Quinn) is everything he's not: Hamish is brooding and self-loathing while Kallen exudes life and confidence; Hamish's wife hates him while Kallen's girlfriend is so devoted she chases him across the desert; Hamish is a loner while Kallen inspires love and loyalty, so much so that the Mexican villagers are willing to kill Hamish at Kallen's word; an orphaned girl withdraws from Hamish while naturally bonding with Kallen, etc. We also learn the reason for Hamish's obsessive hunt is that he wanted to finally do something right and prove himself to his wife and the people of his west Texas community. As the story progresses Hamish is increasingly enlightened to the greatness of Kallen. It's a testimony to his character that this enlightenment doesn't result in hateful envy bur rather admiration and respect. ***END SPOILER***The title song was sung by Eddie Albert of "Green Acres" fame; a lot of people hate it but I thought it was a good Western song. Hey, it's better than similar theme songs from the era, like the horrible "North to Alaska" (excellent film but dubious theme song).FINAL WORD: I was braced for an artificial 50's Western but got a potent character study instead. The only negatives I can cite are that it's in black & white and has some slow, less-than-compelling parts. Regardless, I prefer it to the original "3:10 to Yuma."The film runs 79 minutes and was shot in California and Mexico.GRADE: B+ or A-
Reviewed by classicsoncall 7 / 10

"Now what General? You got us stuck."

Strictly as a matter of timing, I was struck by the very opening sequence in which a young boy runs across a dusty Western street with a gun going 'bang, bang' at an imaginary outlaw. As I write this, the nation is undergoing a raucous debate over proposed new and stricter gun control laws following the Newtown, Connecticut massacre, and the media is filled with numerous stories of kids as young as five years old getting reprimanded or suspended from school for doing the same thing, sometimes for just pointing a finger to simulate a pistol. If the kid in the picture did that today, he'd probably be arrested for sure.You know, teaming William Conrad and Anthony Quinn was an interesting casting choice. It looks like they should have been in each other's role, such is their influence on supporting characters. The charismatic and good looking Kallen (Quinn) is supposed to be the bad guy, and the sweaty, bloated Hamish is the lawman. That dynamic is neatly explored in the second half of the story as the duo comes under Apache attack and rescue a young girl who lost her parents to the savages. Hamish confesses his insecurities and failures in life to Kallen, and even though Kallen has ample opportunity to make his getaway a number of times, he's developed an understanding and trust in the sheriff to get a fair trial for a murder back in the States.The film runs a compact seventy nine minutes and makes use of crisp black and white photography that's made even more cinematic whenever Lita Milan hits the screen as Kallen's Mexican firebrand fiancée. I would swear that Ellen Hope Monroe looks like she might have grown up to become some famous movie star (resemblance to Lee Meriwether?), but in checking the credits, she only made one other picture, and that one, "The Black Orchid", had Anthony Quinn in the lead role as well. She really didn't have that much to do here except look vulnerable, but as far as that goes, she made it work.
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