The Spell

1977

Horror

6
Rotten Tomatoes Audience - Spilled 33% · 100 ratings
IMDb Rating 5.6/10 10 1440 1.4K

Director

Top cast

Robert Gibbons as Waiter
Helen Hunt as Kristina Matchett
Kathleen Hughes as Fenetia
Jack Colvin as Dale Boyce
720p.WEB
673.33 MB
960*720
English 2.0
NR
Subtitles us  
23.976 fps
1 hr 13 min
Seeds 13

Movie Reviews

Reviewed by 7 / 10

Moderate

Reviewed by 7 / 10

Perhaps the most bizarre family dynamic ever committed to celluloid

Teenager Rita is harassed by her classmates for being withdrawn and overweight. At home, her father and younger sister treat her like utter garbage; her mother seems to understand her to some extent, though not entirely. But Rita is, unbeknownst to them all, honing her own supernatural skills that jeopardizes anyone who comes in her path.This made-for-television romp from the golden age for TV horror films riffs on "Carrie" in multiple ways, even imitating key moments from the 1976 film. Yes, so "The Spell" is a cash-in. But what else is there to say about it? More than one may think. It is not exactly a well-made film: It's choppily-edited and the narrative is a bit heavy-handed. The bulk of the film is really made up of twisted family melodrama, which would be rather boring if it weren't the most utterly bizarre family dynamic ever filmed.I honestly did not realize until about thirty minutes in that the protagonist, Rita, was a blood relative of the family; not only does she look nothing like her on screen parents and sibling, but she is treated by virtually every member of her family like an unwelcome cousin, twice removed—maybe even worse—and for no immediately decipherable reason. They just simply despise her, and her resentment continues to grow (and with frankly good reason). The relationships on which the film is predicated are utterly strange and do leave the audience somewhat adrift, as there is virtually no likable character from beginning to end.The performances here are memorable, with Lee Grant playing the stern but sometimes-empathetic mother; a young Helen Hunt plays Rita's perfect little sister, and Susan Myers (who, for the record, is not at all overweight) is memorable in the lead role, delivering some surprisingly chilling scenes; her performance at times reminded me of Tina Romero's in "Alucarda," mixed with a bit of Linda Blair from "The Exorcist." There are a handful of scare scenes here that are dated by contemporary standards, though one is so bizarre and unexpected it's almost disturbing. The twist ending is mildly clever, though fairly perceptible by the time the film has rolled into its final act, and the whole thing ends rather abruptly (not uncommon for television films of this era).Overall, "The Spell" is an amusing film that I personally found utterly absorbing, largely because its core melodrama was so perplexing. It's a fun, frivolous viewing experience for fans of seventies television horror as it does capture the era effectively, and there is a handful of sideshow attractions to be had. Perhaps the most memorable element of it all though is the fact that most of its runtime consists of an introverted teenage girl being groundlessly flanked by not only her peers, but her entire family. The seventies were a strange time, I guess. 7/10.
Reviewed by 7 / 10

Thank Goodness for Telekinesis

Every teenager has dreamt of having the mental power to smite their enemies. In the late 1970's, Hollywood gave that power to a select few. The made for TV production `The Spell' (1977) was a well done version of the theme, and fell between `Carrie' (1976) and `The Fury' (1978) in both chronology and style. `The Spell' came closest to the altered reality that most of us envisioned when running this scenario in our own teenage mental movie house. No ultra-evil-parents or goody-two-shoes types (Carrie) and no spies and secret organizations (The Fury).Instead, `The Spell' presents the story of a regular out of place teenager in a regular unfair world. She finds that she suddenly has telekinetic powers, and the revenge that most of us dreamed about becomes a reality for her. The pacing is a little choppy, but the heart of the story unfolds nicely. The world is still unfair, she just doesn't realize that it is now HER that is being unfair to those who don't have her secret power. The result is a ‘teenage telekinesis' movie that actually relies on character rather than special effects for its most important moments. While the parents in the other two movies were either nuts (Carrie) or non-existent (The Fury) the parents in this movie are loving people who are trying to provide some proper guidance to a daughter who just seems to be changing from a timid young girl into a smart-ass teenager. Hallmark moments were never like this
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