Walk on the Wild Side

1962

Action / Drama / Romance

6
Rotten Tomatoes Critics - Rotten 59% · 5 reviews
Rotten Tomatoes Audience - Spilled 59% · 1K ratings
IMDb Rating 6.7/10 10 3357 3.4K

jealousy based on novel or book brothel new orleans, louisiana 1930s amputee

Plot summary

At a 1930s New Orleans bordello, Hallie is the main attraction for both clients and the shrewd madam. The arrival of Dove Linkhorn, her lovesick sweetheart from three years ago, disrupts the normal and triggers a chain of events involving a number of people, including the young woman he travelled with, who is now the Doll House's newest employee.

Director

Edward Dmytryk Photo
Edward Dmytryk

Top cast

Bill Walker Photo
Bill Walker as Black Man
Richard Rust Photo
Richard Rust as Oliver
Juanita Moore Photo
Juanita Moore as Mama
Murray Alper Photo
Murray Alper as Diner in Teresina's Cafe
720p.BluRay 1080p.BluRay
1.02 GB
1280*682
English 2.0
NR
Subtitles us  
23.976 fps
1 hr 53 min
Seeds 2
1.9 GB
1920*1024
English 2.0
NR
Subtitles us  
23.976 fps
1 hr 53 min
Seeds 5

Movie Reviews

Reviewed by JLRMovieReviews 8 / 10

At Home with Stanwyck & Company! Come On In........

Laurence Harvey is on a quest to find his true love. He couldn't leave his ailing father, so of course Capucine as Hallie wound up in a house of sin in New Orleans, headed by Barbara Stanwyck. Laurence befriends Jane Fonda along the way to find Hallie, and Jane takes an instant liking to him and does what she can to get his attention. One pit stop was at Anne Baxter's little diner and gas station.All this sounds quite simple, but its treatment and style is such that you feel its down-in-the-dirt quality and you get the feeling it's a guilty pleasure in watching it. It also features Juanita Moore, from "Imitation of Life" with Lana Turner, and Joanna Moore (who was the mother of Tatum O'Neal) has a very memorable if somewhat brief role.For all the great stars and talent in the making of this movie, the one person you really empathize the most for is Anne Baxter, who comes to feel something for Laurence Harvey. Everyone else, including Laurence and Jane, are portrayed as somewhat selfish and hard in their own way; in other words, these are not very likable people. Even Capucine, who the viewer is supposed to feel sorry for in her predicament, doesn't really emote enough feelings for the viewer to really care about her.I know I seem to be giving it a hard time, but I give it an '8' for its entertainment value and presentation with some of the best actors of the time. Like always, Stanwyck is great, and Anne Baxter's accent is so natural, you see the character and not Anne, which is a testimony to her acting chops. So, walk on the wild side with Stanwyck & company.
Reviewed by moonspinner55 7 / 10

Love for sale in New Orleans...

Laurence Harvey is terrific as a penniless Texas cowboy who hitches his way to New Orleans in the 1930s in search of a lost summer love, a French artist who--unbeknownst to him--is now working at a bordello; Barbara Stanwyck is the madame at the Doll House, married to a crippled tough but with heavy lesbian leanings towards Capucine, the girl who broke Harvey's heart; Jane Fonda is pretty good as a teen tramp who also ends up working for Stanwyck, and Anne Baxter is a proprietress of a diner who takes Harvey in. Though based on a novel by Nelson Algren, this screenplay sometimes plays like sub-Tennessee Williams, with the rather laughable story-conceit that New Orleans was just another small town in the '30s (walk up the street and you've seen it all!). Capucine, haughty and breathless, matches up well with Harvey, and her run-ins with benefactor Stanwyck are heated, but those hoping for some crackling gay subtext will be disappointed (Barbara's inclinations aren't hypothetical, but she's hardly out of the closet). There are some good, fruity lines of tough-talking dialogue and also some sentimental moments with surprising resonance (as when Baxter says, "Why can't two people care about each other...without the world making it dirty?"). Of course it's Hollywood-ized, with a camp score by Elmer Bernstein and Joanna Moore in the clichéd role of the good-hearted tootsie who gets taken for granted. But Fonda has a great scene near the end when she helps Capucine out of a jam, and Harvey makes a big impression on the audience without overstating his sleek handsomeness. *** from ****
Read more IMDb reviews

1 Comments

Be the first to leave a comment