A Pale View of Hills

2025 [JAPANESE]

Action / Drama / History / War

5
Rotten Tomatoes Critics - Certified Fresh 63% · 16 reviews
Rotten Tomatoes Audience - Upright 63%
IMDb Rating 6.6/10 10 432 432

based on novel or book widow 1950s 1960s nagasaki, japan human mystery

720p.WEB 1080p.WEB 1080p.WEB.x265
1.11 GB
1194*720
Japanese 2.0
NR
Subtitles us  
23.976 fps
2 hr 3 min
Seeds 18
2.28 GB
1792*1080
Japanese 5.1
NR
Subtitles us  
23.976 fps
2 hr 3 min
Seeds 31
2.06 GB
1792*1080
Japanese 5.1
NR
Subtitles us  
23.976 fps
2 hr 3 min
Seeds 8

Movie Reviews

Reviewed by LunarPoise 8 / 10

of memory, place and connection

Reviewed by R4J4P 6 / 10

Loose Threads

Coming into this film as an admirer of Ishiguro's work but never having read the book that this is based on, it didn't quite work for me.While there were some beautifully composed shots and the story was engaging, there were some pacing issues. The middle section seemed to drag and the end came suddenly. The big reveal lacked explanation for those who are unfamiliar with the book.Upon reflection, there were a number of loose threads that went unresolved. It's possible that further viewings would help explain things or reading the book would, but the film should be able to stand on its own, preferably within a single viewing.Credit for the inclusion of Joy Division during the UK scenes and end titles, though.
Reviewed by YasenMarinov 7 / 10

Read the book first!

Kazuo Ishiguro's novels are hard to adapt. The misleading minimalism, the quiet subtlety, the unreliable narrator, the deceptively simple plots that are heavy with hidden, deeper meaning-it takes an impressive amount of skill to translate that to the big screen."A Pale View of Hills" was Ishiguro's first novel. He wrote it when he was only 27. He has moved from Japan to England and was struggling with this huge change in his life. He felt he lost himself and didn't know who he was-he was neither English nor Japanese. And so, he wanted to come to terms with his Japanese background and his conflicting and complex feelings towards his homeland. The novel was an expression of this journey.** Some minor spoilers below (book and movie) **The book, one of my personal favorites, has this constant feeling of something sinister lurking in the shadows and a big danger that looms over the hills. It is mysterious, eerie, and tenebrous. However, the big event that is foreshadowed and promised never comes. The novel ends with a seemingly simple, anticlimactic scene that delivers nothing short of confusion-but boy, what a feeling that is! You know that something is missing, you are absolutely certain that you have missed something crucial, and it is right there, at the tip of your fingers. You go back, and you start recalling all those weird things that happened and were never explained, all those strange, inexplicable lines from the characters. And slowly, everything starts making sense. You sort all the pieces of the puzzle together and realize the author has left you clues all over the place, but has hidden them in plain sight. You start to relive the whole story only once you have finished it. And that's the beauty of it. It is enigmatic and subtle; some parts are deliberately left ambiguous so that you can theorize and have your own version and explanation, but it doesn't leave you completely clueless.If you have read so far, you probably already know what I didn't like in the movie. I enjoyed picking the clues along the way-the subtle parallels between several scenes and character backgrounds, the cat stickers on the door of Keiko's room, the way some scenes were shot. However, once the time comes, the movie hits you over the head and clearly reveals the twist. No subtlety, no room for imagination, no room left for thought. You just have it clear as day. And that kills the whole idea of the book; it kills the psychological aspect of Etsuko's internal struggle. The narrator is no longer unreliable or uncertain; she loses much of her depth and complexity, and she even receives closure that she was never allowed in the book (it was only hinted at).The biggest crime against the novel is that the movie reduces Etsuko to a mere narrator, interviewed by her daughter, Niki. Therefore, when it's revealed that she lied, it destroys the idea that it's not simply a literal lie but something much deeper-a lie Etsuko tells herself, a false memory her mind creates to keep her sane, a subconscious self-deception meant to protect her from the biggest horror in her life-the truth.The ending is hands down the worst part of the movie. Even the whole "you have to change, we all have to change" thing misses the point of the book. The movie uses it to give the story a completely different meaning. It is now about whether having children is necessary, if it's a good thing, and if patriarchy isn't the reason why women are always oppressed and forced to give birth. Pretty shallow and disappointing, although it is nicely tied to the larger theme of Japan's struggle with its past.On the other hand, I must acknowledge the cinematography. The movie is beautifully shot, and some scenes are awe-inspiring. The acting is superb, and the music blends perfectly the Japanese subtlety and tranquility with those memorable moments of threatening, ominous notes (which were the perfect way to translate the looming danger that spreads across the pages of the book on the screen)."A Pale View of Hills" confirms the rule that the book is always better than the movie. And I am so happy that I read the book before watching it. If you want to see the movie, trust me-read the book first, give yourself 6+ months to forget at least some of it, and then watch the movie with a fresh mind. Maybe then you will have a bit higher opinion of it.
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